Living
in Pittsburgh for the past two years I’m constantly being reminded that “the
city is full of hidden gems, you just have to find them.” I set out to do just
that by creating a “Pittsburgh Bucket List” or a list of things to do before I
graduate. Among the things included on this list was “explore the city’s art
scene.” Not being much of an art expert and not knowing exactly what the city
had to offer I did what anyone in my position would in pursuit of a new
discovery, I Googled “Pittsburgh Art” and boy did I get more than I bargained
for. An extensive list came up including museums, places of higher education,
and a plethora of “related searches.” Needless to say I was overwhelmed and
decided to regroup. I realized if I was going to sift through all of this
information I needed to narrow my search so I decided to focus on a specific
type of art.
Photography
has always been something that I’ve wanted to get more into, I even asked my
parents for a brand new camera for Christmas and sadly have barely taken it out
of the box. With this in mind I wanted to look for a place that centered on
photography. Having this in mind I went back to the drawing board, or rather Google
search engine. This time around the Silver Eye Center for Photography came up.
I did a little preliminary digging on their website and figured they’d be a
great place to visit. It seemed like a smaller gallery and with that in mind it
would be easier to access people who worked there for longer periods of time.
Dawoud Bey, Kevin, 2005, Phillips Academy, Andover, Massachusetts Courtesy of the artist
|
I
ventured into the gallery on a Saturday, a day that I figure plenty of people
would be in and out of the gallery and it would mean optimal observation.
When
I got there it was raining profusely, I noticed the mesh umbrella holder
outside the entrance, and luckily there were other umbrellas in the holder or
else I may not have thought twice about bringing my dripping wet umbrella into
a gallery full of art and hardwood floors, Something that would have been
understandably awkward.
I’m greeted by the
smiling face of a man sitting behind a desk, he’s wearing a read and blue plaid
shirt and has tortoise shelled thick rimmed glasses, he looks to be in his late
20’s and very approachable. I let him know what I’m there to do and he is very
welcoming even offering me a chair, which I happily oblige seeing as I’d be
there for the next 5 hours. I know I’d have to interview this man but I didn’t
want to come through the door bombarding him with questions so I took a seat in
my plastic folding chair in the back of the gallery and proceeded to observe.
When
I arrived the gallery was empty except for the man at the desk, and it was
deathly silent. So continued to observe my physical surroundings. The smell of
the hardwood floors is quite evident. The gallery is composed of hardwood
floors and plain white paint covers the walls. It is very trendy, with white
fixtures, and studio lights focused on the artwork. The gallery is spacious yet
still small, I notice that there is no furniture. Which is probably what makes the gallery seem so spacious.
While
checking my phone for the time I noticed that I had no cell phone service,
something I’m not used to but it forced me to concentrate on the gallery and
the art.
After
about 30 minutes the first visitors come in, they’re an older couple; their
initial presence was noticed by the beeping of the alarm, which chimed whenever
the front door was opened. They briefly perused the gallery looking at the pictures
and noting the captions, they looked very into the art so I didn’t bother them
with questions.
After
the first couple left I took the opportunity to chat with the friendly gallery
attendant, Jeffrey. Jeffery was more than happy to answer any questions I
presented him with and happily interjected his opinions. “So Jeffrey tell me a
little about yourself?” I began as a way to let him open up on his own terms.
He went over his employment history informing me he has only been employed at
the gallery for a short time, only since last October. He was very well
informed about the gallery and the artistic process, Probably due to his time
as a student of photography at Pittsburgh Filmmakers “I’m studying alternative
processes, which is photography before black in white…. [the purpose] is to
find new ways of using the origins modernly.” Jeff happily informed me
regarding his particular craft. Jeffrey only works Saturdays and sees anywhere
between 5-10 people come in on any given weekend.
Dawoud Bey, Odalys, 2003, Chadsey High School, Detroit, Michigan Courtesy of the artist
|
He
also took it upon himself to tell me some of the unique things about Silver Eye
“The gallery also features a fellowship competition which has a $3000 prize that
is essentially used to produce a piece of work that is exhibition ready.”
According to Jeffery.
Jeffery
also wanted to make sure I knew everything the gallery had to offer. “There are
Classes, offered on-site on the second floor where we have offices; we also
offer professional workshops, which show how to integrate photography into
business and we also offer 'photo-safaris’ which include learning the basics of
DSLR cameras and special trips to places around the city to work on various photography
skills.” It seemed as if he was raking his brain to make sure he’d mentioned
everything, but that was enough by far. I was starting to realize what an asset
to the city this place truly was.
Jeffery shared
that in between shows he has helped take down and install exhibitions which he
enjoys “It gives me a behind the scenes look at how a gallery functions, and
has taught me a lot about marketing myself.” Jeffrey hopes to one day establish
himself as a professional photographer and praises working at the gallery, which
has helped him make well-known contacts in the photography community that will
help him in the future.
Jeffrey is
simply a man trying to make it in a profession he loves, starting at the bottom
in hopes of making it by networking and using the connections he acquires at
the gallery.
The
next visitors were a woman and her stepchildren. The teenagers’ names were
Alice and Marianna, I asked if they’d like to answer a few questions and they
happily obliged. They said they’d found out about the gallery through their
step-mom who had heard about it and thought the girls may be interested.
“I’m
impressed with the pictures and their great quality and she would love to come
back.” Marianna informed me. She said photography is something that really
interests her and now that she’s seen the place she will most certainly take
advantage of it.
I
decided to ask Alice what she believed to be Arts place in society.
Dawoud Bey, Lauren, 2006, Gateway High School, San Francisco, California Courtesy of the artist |
Jeffery, the
gallery attendant was also very excited about the current exhibition in the
gallery, and shared with me a little background information about it. “It is a
collection of classroom photos by national artist Dawoud Bey.” He said,
clarifying that currently there was only one artist on display. Initially I believed that the gallery
featured works by multiple artists.
I
moved on from observing the visitors to observing the actual art. The pictures
are absolutely captivating, when one walks into the gallery, the sheer size and
quantity of the paintings makes one feel as if they have 27 pairs of eyes on
them.
The photographs
are chromogenic prints of 27 very different teens plagued by death, disease, teen
pregnancy, and stereotypes all trying to find their place in the world.
The thing that
is probably the most moving about these pictures is that the people featured
are very real. They’re what high school students look like, what I looked like
and what I saw. These were not images you come to believe are real like the
ones you see photo shopped in magazines and on TV, with overly attractive
people. These kids have scars, chipped nail polish and messy hair, all visible
Imperfections.
They have far from the perfect wardrobe, and that doesn’t bother them one bit,
The kids are photographed as they are.
Each picture
features a white caption with black text. The captions are first had accounts
of each teen’s struggles, passions, and hopes for the future.
The
photographs and stories behind them make you wonder where the subjects are now and
what became of these people since the some of the photos were taken almost a
decade ago. It makes me wonder if they are accomplishing their goals as adults,
Some of the back-stories
are rather tragic and almost o bring tears to the viewers eyes. You feel for
them and wonder if they made it out of their situations, want to root for them.
Which is precisely what the artists intent was I firmly believe.
Seeing the
pictures made me think back to when I was in high school and remember what I
wanted then, and reflect on it. The photographs made me realize that I was once
them, maybe not completely but I was once that semi lost and confused girl
behind the camera.

Dawoud Bey, Sarah, 2005, Lawrence High School, Lawrence Massachusetts Courtesy of the artist
|
Mr.
Kelly is a photographer and a teacher so I felt it was only right to ask him what
he thought of photography. “Photography is very accessible to most people, you
can collect what you like and want to enjoy in your own setting, and it’s
definitely always evolving.”

I
asked Mr. Kelly to address common misconceptions regarding the gallery and art
. “Well, art can be intimidating for people who didn’t grow up in an art
enriched environment, and they tend to think art is ‘not for people like me’
but photography is a good way for people unfamiliar to art and museums to ease their
way into the art world.” He also addressed how the gallery is bigger than it
looks on the outside. “You have an experience when you come in. The size of the
gallery is not so big that you feel like its too much.” He insists the gallery
is a unique space and community in Pittsburgh, and after doing this I couldn’t
agree more.
Mr.
Kelly was right about having an experience when visiting the gallery; I
defiantly came out having been exposed to something new and loving it. It also
jumpstarted my desire to explore more of Pittsburgh and monitor future exhibits
the gallery will be displaying.
I thought the piece was great. The framing device of having a Pittsburgh bucket list was unique, and I liked how you explained why you chose photography over something else.
ReplyDeleteFor a suggestion, I wonder if you would cut back on the interview questions and focus more on how the pictures affected you. You describe them well, and say their stories are unhappy ones. But what if you focused on one that really stuck out to you. It could give the piece an emotionality the pictures imply and that could connect to your story. I think it could also connect both parts of the story in a way different than visiting twice. Like you were still thinking about that picture the second time you visited. Maybe something like that.
I liked your story.
I like the fact that you entitled this piece "The Faces of Pittsburgh", and the inclusion of photos in your piece helps us to visualize what you saw being done at the studio. In addition, the bucket list for Pittsburgh adds an interesting and unique dimension to the story as to why you chose to immerse yourself in this gallery.
ReplyDeleteThe quote you have in the box also allows readers to understand that the gallery isn't just about the photos, but the experience you have when you are in the gallery, which is arguably the most important part of art in that it's how you see it yourself, and what meaning you assign to it.
My suggestion would have been to create a better ending, as this story seems to just stop and doesn't really wrap itself up or offer a concise statement as to what is important or profound about it.